演出说明 Performance Notes
by 姚春旸
「可听」的第一场演出，由来自在广深两地的即兴/实验音乐人组成。
The first performance of “Keting” is composed of improvisition and experimental musicians from Guangzhou and Shenzhen.
标题取自音乐人白水 2016年的乐评《一器》
The concert is named “Yi Qi” (One Instrument/by onself), inspired by musician Bai Shui’s 2016 music review Yi Qi.
缘起，与何光旭 卢政 若瑜
How the musicians meet
何光旭 来自云南大理常驻深圳，我在“池塘之底”第一次看到他的架子鼓与人声演出，光旭激烈又野性的嘶吼让人很难忘记。
Guangxu is from Dali, Yunnan. The first time I saw his drum set and vocal performance at Fond-De-L’etang, his fierce and wild roaring was truly unforgettable.
在北京的“我和你”看过 卢政 的演出，清新外表的广东青年却在与李剑鸿的吉他二重奏中，对他极具爆发力的表现和细腻的音色处理留下深刻印象。
I watched Lu Zheng’s performance at “You and Me” in Beijing. This Guangdong young musician with a fresh appearance left a deep impression on me during his guitar duet with Li Jianhong, showcasing explosive energy and delicate tone processing.
来自深圳的 若瑜 来自卢政的推荐，看了她演出视频中对非常规管乐的使用与演奏，让我惊喜和好奇。
Recommended to me by Lu Zheng, Ruoyu from Shenzhen intrigued me with her use of unconventional wind instruments in performance videos I’ve seen—both surprising and captivating.
当天的演出，我也会有一段人声来与三位伙伴一同呈现这场稍显挑战“聆听惯性”的演出。
At the show, I will also join the three musicians with a vocal performance, together presenting this show that slightly challenges conventional “listening habits.”
独奏，
就像对着山谷呐喊会等待回声。
每个音符都是即时的回应，
沉默有了形状。
即兴，
每个音符的生成与消逝均为一次性事件，
听众身处其中，
实则是参与一系列不可验证的声音事件。
每一次听觉接收，
都成为对“此刻”的独家见证。
Solo，
Just like waiting for an echo
when shouting towards a valley.
During a solo performance,
every musical note is an immediate response,
Silence takes on a form.
Improvisation,
The generation and disappearance of each musical note
are one-time events.
The audience, being in it,
Is actually participating in a series of sound events that cannot be verified.
Each auditory reception,
Becomes an exclusive witness to the “present moment”.
策划与组织 | Curated & Organized by 姚春旸
特别鸣谢 | Special Thanks：Kobi 白水
More on
