Upcoming Show: Electronic Music for Curious Ears

Upcoming Show: Electronic Music for Curious Ears

TheLastbossProject × mafmadmaf × CHUNYANG YAO

2026年10月25日 15:00-16:30

Venue: 光芒enlightening

mafmadmaf

实时編程与合成器

Real-time coding & synthesizer 

TheLastbossProject

现场电子乐器与微型装置

Live electro acoustics & micro gadgets

姚春旸 Yao

人声、实时采样与合成器

Voice, real-time sampler & Synthesizer

Have you ever wondered: 

What can music sound like without a piano, guitar, or drum kit?

What happens when a musician sits down with a computer, a few synthesizers, a modular system, a microphone—or even just a handful of cables? Can these things become instruments?

That’s where electronic music gets interesting.

Electronic music is far from a recent invention. In the mid-20th century, composers began experimenting with magnetic tape, electronic oscillators, and early electronic equipment to create sounds that traditional instruments simply couldn’t produce. As synthesizers, drum machines, samplers, computers, and digital technology evolved, so did the music.

Today, electronic music can take countless forms—from House, Techno, and Drum & Bass to Ambient, Industrial, Noise, Experimental, Modular, and Generative Music.

Different styles, different tools, different ways of listening.

But underneath it all is a simple question: What else can sound become?

This Projects Collaboration of Enlightening Synth Arts × Kěting brings together three artists with very different approaches to electronic music. On one afternoon, they’ll each take the stage with a complete live performance and offer their own answer.

mafmadmaf

Think of his music as a living sound system.

mafmadmaf works extensively with modular synthesizers and generative systems, creating environments where sounds, rhythms, and textures can shift and evolve in real time.

Instead of following a fixed musical path, his performances allow sounds to interact, change, and sometimes surprise even the person making them.

You might notice a tiny sound slowly growing into something much larger—or discover layers of texture hiding inside what initially seems almost silent. His music is like watching a sonic ecosystem grow.

TheLastbossProject

If mafmadmaf is observing a sound ecosystem, LASTBOSS is more like driving a sound machine at full speed. His work moves across experimental electronics, breakcore, industrial, noise, ambient, and drone.

Fast rhythms, heavy textures, digital distortion, dense layers of sound, and sudden shifts in intensity can all appear in his performances. But just as quickly, the music can slow down and open into something darker, spacious, and atmospheric. Machines, rhythm, speed, and distortion constantly change shape in his hands.

CHUNYANG YAO

Chunyang Yao enters electronic music from a very different place: the body, the voice, the environment, and everyday materials. A breath. A voice. A friction. The sound of touching or moving an ordinary object.

These tiny physical sounds can become the starting point for a performance. Through microphones, amplification, and electronic processing, sounds that might normally go unnoticed can be enlarged, transformed, and placed into a completely new sonic environment. Her work asks what happens when the body and the world around us become part of an electronic instrument.

Three Artists. Three Approaches. Three Sonic Worlds.

This is not a children’s music show disguised as electronic music. Each artist will perform a complete 30-minute live set allowing the music to unfold in its full for with all its complexity, energy, texture, and unpredictability.

After each performance, there will also be a short Artist Talk, where the musicians can share what they were using, where their sounds came from, how they sample and build their sets, and what goes into creating a live electronic performance.

The show takes place at 3:00 PM and is open to audiences ages 6 and up. It’s a child-friendly electronic music experience, but it isn’t a class, a workshop, or a lesson.Kids and adults will experience the same performances, in the same room, without simplifying the music for younger listeners.

About the Projects

Enlightening Synth Arts is an art platform initiated by Enlightening, focusing on live‑electronic creation and interdisciplinary collaboration.

Kě Tīng Project is a live‑performance series curated and produced by musician Yao Chunyang. It aims to showcase the diversity of sound. Encompassing the realm of music, it transcends the boundaries of conventional musical tones, delivering a sequence of live shows that break through auditory inertia.

中文 :

Upcoming Show: Sound Theatre 2- Fracture, the Sound

Upcoming Show: Sound Theatre 2- Fracture, the Sound

《此声撇断》是姚春旸声音剧场系列新作,延续她《此地》的方向,材料不多,动作更少。接触麦克风贴近物体的表面,把最细微的摩擦、最突兀的爆响放大到无法忽视。撇断是动作,也是方法。没有故事,没有安全的距离。声音不是被演奏出来,而是被释放出来。
Fracture, the Sound extends the trajectory of Yao’s earlier Her/e (此地) in the Sound Theatre series. Employing sparse materials and minimal movements, the work features contact microphones pressed against surfaces, amplifying the subtlest friction and most abrupt cracks into visceral sonic experiences.  
“Fracture” here operates as both action and methodology. This performance rejects narrative constructs and safe detachment. Within its sonic landscape, sound is not performed – but released.

Time: 23rd, August,2025

Location: Micespot, Foshan, Guangdong

Tickets: 88

【8.23】声音剧场贰 · 此声撇断 丨 姚春暘

https://mp.weixin.qq.com/s/4uOkJYKtqmbaoW5Fi7jbkA

Upcoming Show:一器 By Oneself, 2025/6/14

Upcoming Show:一器 By Oneself, 2025/6/14

演出说明 Performance Notes

by 姚春旸

「可听」的第一场演出,由来自在广深两地的即兴/实验音乐人组成。

The first performance of “Keting” is composed of improvisition and experimental musicians from Guangzhou and Shenzhen.

标题取自音乐人白水 2016年的乐评《一器》

The concert is named “Yi Qi” (One Instrument/by onself), inspired by musician Bai Shui’s 2016 music review Yi Qi.

缘起,与何光旭 卢政 若瑜

How the musicians meet

何光旭 来自云南大理常驻深圳,我在“池塘之底”第一次看到他的架子鼓与人声演出,光旭激烈又野性的嘶吼让人很难忘记。

Guangxu is from Dali, Yunnan. The first time I saw his drum set and vocal performance at Fond-De-L’etang, his fierce and wild roaring was truly unforgettable.

在北京的“我和你”看过 卢政 的演出,清新外表的广东青年却在与李剑鸿的吉他二重奏中,对他极具爆发力的表现和细腻的音色处理留下深刻印象。

I watched Lu Zheng’s performance at “You and Me” in Beijing. This Guangdong young musician with a fresh appearance left a deep impression on me during his guitar duet with Li Jianhong, showcasing explosive energy and delicate tone processing.

来自深圳的 若瑜 来自卢政的推荐,看了她演出视频中对非常规管乐的使用与演奏,让我惊喜和好奇。

Recommended to me by Lu Zheng, Ruoyu from Shenzhen intrigued me with her use of unconventional wind instruments in performance videos I’ve seen—both surprising and captivating.

当天的演出,我也会有一段人声来与三位伙伴一同呈现这场稍显挑战“聆听惯性”的演出。

At the show, I will also join the three musicians with a vocal performance, together presenting this show that slightly challenges conventional “listening habits.”

独奏,

就像对着山谷呐喊会等待回声。

每个音符都是即时的回应,

沉默有了形状。

即兴,

每个音符的生成与消逝均为一次性事件,

听众身处其中,

实则是参与一系列不可验证的声音事件。

每一次听觉接收,

都成为对“此刻”的独家见证。

Solo,

Just like waiting for an echo 

when shouting towards a valley. 

During a solo performance, 

every musical note is an immediate response, 

Silence takes on a form. 

 Improvisation, 

The generation and disappearance of each musical note

 are one-time events. 

The audience, being in it, 

Is actually participating in a series of sound events that cannot be verified. 

Each auditory reception, 

Becomes an exclusive witness to the “present moment”.

策划与组织 | Curated & Organized by 姚春旸

特别鸣谢 | Special Thanks:Kobi   白水

More on

微信公众号《可听系列#1 “一器” — 即兴独奏音乐会》