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“Chunyang Yao emits melismas and screams that multiply creating a ghostly polyphony, while accompanied by field recordings and manipulated timbres in an excellent introductory cut. “Stranded” makes use of traditional instruments and electronic effects, creating a fusion of folklore and avant-garde, by taking advantage of, and highlighting, each of its instruments’ resonance (we can hear strings, cymbals and flutes).”
姚春旸通过melismas(“唱颂法”-在音乐中指的是一种技术，会把一个音节的歌词拉长，分配给多个音符，用来达到更加复杂和情感上丰富的效果）和尖叫声来创造出幽灵般的多声部效果，同时采样录音和设计音色的合奏下，呈现出一首极佳的序言般的曲目。“困住般地”运用传统乐器和电子效果，打造出民俗与前卫的融合作品，并凸显了每个乐器的共鸣音效（我们可以听到弦乐、铜钹以及管乐器等声音）。”